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Sweet Mama Fix (with Lilith​-​Rita Oberti)

from CUT Must Die by CUT

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CUT & LILITH RITA OBERTI
'SWEET MAMA FIX’
(Martin, Carras)
It is with great pleasure that we are introducing you to a new chapter of the CUT Must Die series. This time we had the opportunity to collaborate with a lady who has been fronting one of the bands that - in early 80s Italy - have paved the way for what we are doing today. To put it succinctly, we would not be here if it wasn’t for someone like Lilith Rita Oberti, front woman for the legendary Not Moving (now Not Moving LTD). Lilith is also the mastermind of Lilith & the Sinnersaints and has released and toured as a solo artist too. Madame Oberti herself suggested that we should work together on a cover of the seductively decadent Sweet Mama Fix by late-seventies French/US outfit Larry Martin Factory. So, we convened at the Sonic Temple studio in Parma, under the guidance of grand magister Andrea Rovacchi. Antonio Bacciocchi – drummer for Not Moving and Lilith and The Sinnersaints (and many others) as well and writer, journalist, producer and Italian Modfather – supervisioned the operations and contributed to the recordings too. However, it was only when La Lilith walked into the vocal booth that the magic (or should we say voodoo?) really started to happen...

credits

from CUT Must Die, track released January 20, 2021
Lilith-Rita Oberti – lead vocals
Carlo Masu - guitar
Ferruccio Quercetti - guitar
Tony Booza - drums
Antonio Bacciocchi – percussion
Andrea Rovacchi - organ
Sweet Mama Choir – Lilith Rita Oberti, Antonio Bacciocchi, Carlo Masu, Ferruccio Quercetti, Tony Booza

Recorded, mixed, and mastered by Andrea Rovacchi at Sonic Temple Studio, Parma, Italy.

Bare Bones Productions 2020/2021

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CUT Bologna, Italy

CUT are a rock band from Bologna, Italy. Together since 1996, CUT have released seven full-lenght studio albums, one live LP and split 7"s with Julie's Haircut, Settlefish and Movie Star Junkies. CUT are touring continental Europe and the UK on a regular basis. Their music has been described as "John Lee Hooker stuck in a postpunk straitjacket”: CUT have not refuted this description yet ... more

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